CONTENTS
Self-Interview by Esther Dischereit—Based on a Conversation with Sonja Fritzsche and Jennifer Good
Esther Dischereit, Sonja Fritzsche, and Jennifer Good
The Romantic and Modern Practice of Animal Magnetism: Friedrich Schlegel’s Protocols of the Magnetic Treatment of Countess Lesniowska
Laurie Johnson
The Complexities of Caroline Pichler: Conflicting Role Models, Patriotic Commitment, and The Swedes in Prague (1827)
Ritchie Robertson
Creating a Maidservant Community through Newspapers: The Berliner Dienstboten-Zeitung, 1898–1900
Julia Karolle-Berg
A Tale of Two Cities: The Metropolis in Lou Andreas-Salomé’s Fenitschka
Laura Deiulio
The Melancholy (Pro)creation of Franziska zu Reventlow and Gabriele Reuter
Lisabeth Hock
“The most famous Jewish pacifist was Jesus of Nazareth”: German-Jewish Pacifist Clementine Krämer’s Stories of War and Visions for Peace
Elizabeth Loentz
Transatlantic Perspectives on Men, Women, and Other Primates: The Ape Motif in Kafka, Canetti, and Cooper’s and Jackson’s King Kong Films
Dagmar C. G. Lorenz
Double Visions: Queer Femininity and Holocaust Film from Ostatni Etap to Aimée & Jaguar
Cathy S. Gelbin
Transnational Germany: Hito Steyerl’s Film Die leere Mitte and Two Hundred Years of Border Crossings
Christina Gerhardt
Projecting Trauma: The Femme Fatale in Weimar and Hollywood Film Noir
Barbara Hales