Selected Bibliography

German & Film Studies + Feminist Studies/German Studies/Cultural Studies

Corrigan, Timothy.  New German Film: The Displaced Image.  Austin: U
Texas P, 1983.

Czaplicka, John, Andreas Huyssen, and Anson Rabinbach. 
"Introduction: Cultural History and Cultural Studies."  New
German Critique 65 (Spring-Summer 1995): 3-17. Davidson, John. 
"Aguirre, Neocolonialism, and New German Cinema."  New German
Critique 60 (1993).

de Lauretis, Teresa.  Technologies of Gender: Essays on Theory, Film,
and Fiction. Bloomington: Indiana UP, 1987.

Eisner, Lotte.  The Haunted Screen: Expressionism in the German Cinema
and the Influence of Max Reinhardt.  Orig. French version: 1952.  Trans.
Roger Greaves. Berkeley, CA: U of California, 1969.

Eley, Geoffrey.  "What is Cultural History?"  New German
Critique 65 (Spring-Summer 1995): 19-36.

Elsaesser, Thomas.  New German Cinema: A History.  New Brunswick:
Rutgers UP, 1989. Fehrenbach, Heide.  Cinema in Democratizing Germany:
Reconstructing National Identity after Hitler.  Chapel Hill: U North
Carolina Press, 1995.

Fenner, Angelica.  "'Minorities' and 'Majorities': Inscriptions of
Racial and Ethnic Difference in Contemporary German Cinema."  Diss.
Univ. Minnesota, in progress.

Fischetti, Renate.  Das Neue Kino: Filme von Frauen.  8 Portr”ts
von deutschen Regisseurinnen. D¸lmen-Hiddingsel: tende, 1992.

Franz, Karen Annette.  "Imagining the Nation: Representation and
Identity in German Film and Television since Unification."  Diss.
U. Minnesota, 1996.

Frieden, Sandra, Richard W. McCormick, Vibeke R. Petersen, and Laurie
Melissa Vogelsang, eds.  Gender and German Cinema: Feminist
Interventions.  2 vols.  Providence: Berg, 1993.

Geisler, Michael.  "Heimat and the German Left."  New German
Critique 36 (1985): 25-66.

Gleber, Anke.  "Das Fr”ulein von Tellheim: Die ideologische
Funktion der Frau in der nationalsozialistischen Lessing-Adaption."
German Quarterly 59.4 (Fall 1986): 547-68.

Grossmann, Atina.  Reforming Sex: The German Movement for Birth Control
and Abortion Reform, 1920-1950.  Oxford (UK): Oxford UP, 1995.

Hake, Sabine.  The Cinema's Third Machine: Writing on Film in Germany
1907-1933.  Lincoln: U Nebraska Press, 1993.

---.  Passions and Deceptions.  The Early Films of Ernst Lubitsch. 
Princeton: Princeton UP, 1992.


Haxthausen, Charles, and Heidrun Suhr, eds.  Berlin: Culture and
Metropolis.  Minneapolis: U Minnesota P, 1990.

Huyssen, Andreas. "The Vamp and the Machine."  In his After
the Great Divide: Modernism, Mass Culture, Postmodernism, 65-81. 
Bloomington: Indiana UP, 1986.

Kaes, Anton.    "Film in der Weimarer Republik: Motor der
Moderne."  In Jakobsen, Wolfgang, Anton Kaes, and Hans Helmut
Prinzler, eds.  Geschichte des Deutschen Films.  Stuttgart: Metzler,
1993.  39-100.

---.  From Hitler to Heimat: The Return of History as Film.  Cambridge:
Harvard UP, 1989.

---.   "German Cultural History and the Study of Film: Ten Theses
and a Postscript."  New German Critique 65 (Spring-Summer 1995):
47-58.

---.  Kino-Debatte.  Texte zum Verst”ndnis von Literatur und Film
1909-29.  T¸bingen: M. Niemeyer, 1978.

---.  "New Historicism and the Study of German Literature." 
German Quarterly 62.2 (Spring 1989): 210-219.

Kaes, Anton, Martin Jay, and Edward Dimenberg, eds.  The Weimar Republic
Sourcebook. Berkeley: U California Press, 1994.

Knight, Julia.  Women and the New German Cinema.  London: Verso, 1992.
Kosta, Barbara. Recasting Autobiography: Women's Counterfictions in
Contemporary German Literature and Film.  Ithaca: Cornell UP, 1994.

Kracauer, Siegfried.  From Caligari to Hitler: A Psychological History
of the German Film. Princeton: Princeton University Press, 1947.

Lethen, Helmut.  Verhaltenslehren der K”lte.  Lebensversuche
zwischen den Kriegen.  Frankfurt: Suhrkamp, 1994.

Linville, Susan E.  Feminism, Film, Fascism: Women's Auto/Biographical
Cinema and West German "Postwar" Culture.  Austin: U Texas P,
forthcoming.

Mayne, Judith.  "Marlene Dietrich, The Blue Angel, and Female
Performance."  In Seduction and Theory: Readings of Gender,
Representation, and Rhetoric, Dianne Hunter, ed., 28-46. Urbana: U
Illinois P, 1989.

McCormick, Richard W.  "From Caligari to Dietrich: Sexual, Social,
and Cinematic Discourses in Weimar Film."  SIGNS: Journal of Women
in Culture and Society 18,3 (1993): 640-68.

---.  Politics of the Self: Feminism and the Postmodern in West German
Literature and Film. Princeton: Princeton UP, 1991.

---.  "Private Anxieties/Public Projections: 'New Objectivity' and
Male Subjectivity in Weimar Cinema."  Women in German Yearbook 10
(1994): 1-18.

New German Critique 65 (Spring-Summer 1995).  "Cultural
History/Cultural Studies." Penley, Constance.  "Feminism,
Psychoanalysis, and the Study of Popular Culture."  Cultural
Studies.  Ed. Lawrence Grossberg, et al.  New York: Routledge, 1992:
479-500.

Petro, Patrice.  Joyless Streets: Women and Melodramatic Representation
in Weimar Germany. Princeton: Princeton UP, 1989.

Radway, Janice.  "The Readers and Their Romances," from
Reading the Romance (1984).  In Feminisms: An Anthology of Literary
Theory and Criticism.  Ed. Robyn R. Warhol and Diane Price Herndl.  New
Brunswick: Rutgers UP, 1991: 148-64.

Rentschler, Eric. The Ministry of Illusion: Nazi Cinema and Its
Afterlife. Cambridge: Harvard UP, 1996.

---.   West German Film in the Course of Time.  Bedford Hills, NY:
Redgrave, 1984.

---, ed.  The Films of G.W. Pabst: An Extraterritorial Cinema.  New
Brunswick: Rutgers UP, 1990.

---, ed.  German Film and Literature: Adaptations and Transformations. 
New York: Methuen, 1986.

Saunders, Thomas J.  Hollywood in Berlin: American Cinema and Weimar
Germany.  Berkeley: U California P. 1994.

Santner, Eric. Stranded Objects: Mourning, Memory, and Film in Postwar
Germany.  Ithaca: Cornell UP, 1990.

Schl¸pmann, Heide.  Unheimlichkeit des Blicks: Das Drama des
fr¸hen deutschen Kinos.  Basel: Stroemfeld/Roter Stern, 1990.

Schulte-Sasse, Linda. Entertaining the Third Reich: Illusions of
Wholeness in Nazi Cinema. Durham: Duke UP, 1996.

---.  "The Jew as Other under National Socialism: Veit Harlan's Jud
S¸þ." German Quarterly 61.1 (1988): 22-49.

Sloterdijk, Peter.  Kritik der zynischen Vernunft. Frankfurt: Suhrkamp,
1983.  See also Sloterdijk, Critique of Cynical Reason, trans. Michael
Eldred.  Minneapolis: University of Minnesota Press, 1987.

Tatar, Maria.  Lustmord: Sexual Murder in Weimar Germany.  Princeton,
NJ: Princeton UP, 1995.

Theweleit, Klaus.  M”nnerphantasien.  Vol. 1.  1977.  Reinbek:
Rowohlt, 1980.  See also Theweleit, Male Fantasies, vol. 1, trans.
Stephen Conway.  Minneapolis: University of Minnesota Press, 1987.

von Ankum, Katharina.   "'Ich liebe Berlin mit einer Angst in den
Knien': Weibliche Stadterfahrung in Irmgard Keuns Das Kunstseidene
M”dchen."  German Quarterly 67.3 (Summer 1994): 369-88.

---, ed. Woman and Metropolis.  Berkeley: U California P, forthcoming.
Weinberger, Gabriele.  Nazi Germany and Its Aftermath in Women's
Autobiographical Films of the Late 1970s: In the Murderer's House.  San
Francisco: Mellen, 1992.

Questions? Comments? Concerns? Contact the WiG Steering Committee.