Hester Baer, “Female Spectators and West German Cinema in the 1950s.”

Kyle Frackmann, “‘Das Dasein der Brustwarze beim Mann’: Exploring the Imperialist (Pan)Sexuality of Alexander von Humboldt.”

Lisabeth Hock, “The Gendering of Melancholy in Nineteenth-Century German Psychiatry.”

Janet Holmgren, “Transcultural Feminism: The Poetry of Zehra Çirak.”

Corinna Kahnke, “Queer Eye For the (Straight) Chicks. Images of Women in Ralf König’s Graphic Novels Der bewegte Mann, Pretty Baby and Wie die Karnickel.”

Barbara Lechleitner, “Wir tanzen um die Welt”: The Appropriation of the ‘Girl’ for Nazi Propaganda.”

Laura McGee, “East Germany’s Last Generation of Film Directors – Where Have They Gone? Researching and Teaching Film.”

Alexandra Merley, “The Wonderful Horrible Life of the Government-Commissioned Artist: Propagandistic Photography in 1930’s United States and Germany.”

Susanne Rinner, “Erinnern und Erzählen: Die Darstellung der Studentenbewegung und des Nationalsozialismus in der deutschsprachigen Literatur nach 1989.”

Maria Stehle, ”Derive as Political Practice and Feminist Perspective: A Psychogeographical Map of the Teleshops in Berlin Mitte.”

Beverly Weber, “Towards a Careful Practice of Reading: Teleopoeisis and the Headscarf Debates.”